1 00:00:30,280 --> 00:00:33,283 Gee, these Italian trains sure are cramped. 2 00:00:33,283 --> 00:00:36,370 Imagine one seat for four people. 3 00:00:36,370 --> 00:00:38,539 Ethel, will you stop complaining? 4 00:00:38,539 --> 00:00:40,707 Well, it's true-- they're not very roomy. 5 00:00:41,375 --> 00:00:43,502 They're roomy enough. It's just that you're roomier. 6 00:00:43,502 --> 00:00:44,711 Oh... 7 00:00:46,421 --> 00:00:49,132 Well, it's not so bad now that Lucy's not here. 8 00:00:49,132 --> 00:00:50,676 Yeah. Where'd she go? 9 00:00:50,676 --> 00:00:52,594 Just out to stretch her legs. 10 00:00:56,181 --> 00:00:57,432 Honestly! 11 00:00:57,432 --> 00:01:00,060 - What's the matter? - There's a man out there leering at me. 12 00:01:00,060 --> 00:01:01,562 He's a typical masher. 13 00:01:01,562 --> 00:01:05,399 Lucy, why is it that every time you get on a train, 14 00:01:05,399 --> 00:01:06,733 you start imagining things? 15 00:01:06,733 --> 00:01:08,569 I am not imagining things. 16 00:01:08,569 --> 00:01:10,153 I know a masher when I ... 17 00:01:10,153 --> 00:01:11,530 There he is now. 18 00:01:11,530 --> 00:01:13,365 Now, Ricky, don't lose your temper. 19 00:01:14,074 --> 00:01:16,034 Why should I lose my temper? 20 00:01:16,034 --> 00:01:17,536 Aren't you going to beat him up? 21 00:01:17,536 --> 00:01:19,162 What for? 22 00:01:19,162 --> 00:01:20,831 "What for?" 23 00:01:20,831 --> 00:01:23,292 Oh, honey, calm down. He didn't do anything. 24 00:01:23,292 --> 00:01:26,336 Well... he was thinking. 25 00:01:30,132 --> 00:01:32,050 Where was I sitting? 26 00:01:32,050 --> 00:01:34,344 - Right beside me. - Where? 27 00:01:34,344 --> 00:01:36,513 Gee, it was there a minute ago. 28 00:01:36,513 --> 00:01:38,515 Come on, move over. 29 00:01:38,515 --> 00:01:39,725 - Shove over. - Get over, Fred. 30 00:01:39,725 --> 00:01:41,727 - Come on, get over. - I'll get over. 31 00:01:41,727 --> 00:01:43,604 Let me get my dress. 32 00:01:43,604 --> 00:01:45,230 Come on. 33 00:01:45,230 --> 00:01:46,982 Okay. 34 00:01:46,982 --> 00:01:48,900 Such a train. 35 00:02:03,206 --> 00:02:06,627 Fred, at what time do we get to Rome? 36 00:02:06,627 --> 00:02:08,044 10:00. 37 00:02:08,044 --> 00:02:12,716 Oh. Well, that's... only just about one more hour. 38 00:02:12,716 --> 00:02:15,260 That won't be so bad in this torture. 39 00:02:15,260 --> 00:02:18,430 Well, I mean, that-that's, uh ... 40 00:02:18,430 --> 00:02:19,931 10:00 tomorrow morning. 41 00:02:19,931 --> 00:02:21,767 - What? - What? 42 00:02:21,767 --> 00:02:24,603 You mean we have to sit like this all night? 43 00:02:24,603 --> 00:02:27,564 Well, it's only 13 more hours. 44 00:02:27,564 --> 00:02:29,107 If I could only reach you, 45 00:02:29,107 --> 00:02:31,276 I'd punch you right in the nose. 46 00:02:31,276 --> 00:02:33,904 Fred, why didn't you get us berths? 47 00:02:33,904 --> 00:02:35,656 Well, it's cheaper this way. 48 00:02:35,656 --> 00:02:36,823 Oh, fine. 49 00:02:36,823 --> 00:02:39,159 Well, as Ricky's band manager, it's my job... 50 00:02:39,159 --> 00:02:40,494 - To save money. - To save money. 51 00:02:40,494 --> 00:02:42,496 I appreciate that, Fred, 52 00:02:42,496 --> 00:02:44,538 but you got to draw the line someplace. 53 00:02:44,538 --> 00:02:47,125 Oh, we're lucky he hasn't got us hitchhiking. 54 00:02:47,125 --> 00:02:48,919 Will you stop yapping? 55 00:02:51,171 --> 00:02:54,800 Oh, 13 more hours in this sardine can. 56 00:02:54,800 --> 00:02:56,802 Sardines were better off. 57 00:02:56,802 --> 00:02:59,346 They got all that oil to wiggle around in. 58 00:03:01,556 --> 00:03:04,184 Well, let-let's try to get some sleep, huh? 59 00:03:04,184 --> 00:03:06,061 Sleep? 60 00:03:21,034 --> 00:03:22,619 Oh, Lucy, it's no use. 61 00:03:22,619 --> 00:03:24,705 We've got to have more room. 62 00:03:24,705 --> 00:03:26,581 This is all Fred's fault. 63 00:03:26,581 --> 00:03:27,916 Let him stand up. 64 00:03:28,917 --> 00:03:30,711 Fred. 65 00:03:30,711 --> 00:03:32,587 Fred. 66 00:03:32,587 --> 00:03:35,257 Wake up, sleeping beauty. 67 00:03:35,257 --> 00:03:38,301 You couldn't wake him with a stick of dynamite. 68 00:03:38,301 --> 00:03:39,553 Hey, I got an idea. 69 00:03:39,553 --> 00:03:42,389 Hey, look, there goes Gina Lollobrigida! 70 00:03:42,389 --> 00:03:43,557 Where? Where? 71 00:03:48,854 --> 00:03:50,605 Now, what's the big idea? 72 00:03:50,605 --> 00:03:52,482 Well, you got us into this. 73 00:03:52,482 --> 00:03:53,984 You can just stand up. 74 00:03:54,609 --> 00:03:56,778 Ethel, I'm not going to forget this. 75 00:04:19,342 --> 00:04:20,677 Fred. 76 00:04:20,677 --> 00:04:21,678 Oh! 77 00:04:23,513 --> 00:04:25,056 What are you trying to do? 78 00:04:25,056 --> 00:04:26,558 Oh... 79 00:04:26,558 --> 00:04:28,017 Honestly! 80 00:04:32,647 --> 00:04:34,315 Oh, honey, help me. I can't move. 81 00:04:34,315 --> 00:04:36,234 I'll help you. 82 00:04:36,234 --> 00:04:37,736 Here, dear. 83 00:04:37,736 --> 00:04:39,446 Oh, dear. 84 00:04:39,446 --> 00:04:43,617 I may never play the violin again. 85 00:04:43,617 --> 00:04:46,536 - Where are we? Where are we? - We're just pulling into the station. 86 00:04:46,536 --> 00:04:48,538 - Oh. - Come on, Fred. Help me with these bags. 87 00:04:48,538 --> 00:04:50,123 - [Ethel] Oh, boy. - Here, I'll take this one. 88 00:04:50,123 --> 00:04:51,291 Give me that one. 89 00:04:51,291 --> 00:04:53,794 Honey, there's that man again. 90 00:04:55,921 --> 00:04:58,048 Yeah, he is looking kind of funny at you. 91 00:04:58,048 --> 00:04:59,508 I told you he was a masher. 92 00:05:02,761 --> 00:05:04,721 Is there anything I can do for you? 93 00:05:04,721 --> 00:05:06,765 Excuse me, signor. 94 00:05:06,765 --> 00:05:10,017 I am afraid I have given the wrong impression. 95 00:05:10,017 --> 00:05:13,146 - Yeah, well! - Allow me to introduce myself. 96 00:05:13,146 --> 00:05:14,731 I am Vittorio Philippi. 97 00:05:14,731 --> 00:05:16,107 Vittorio Philippi ... 98 00:05:16,107 --> 00:05:17,275 Yes. 99 00:05:17,275 --> 00:05:18,652 Vittorio Philippi ... 100 00:05:18,652 --> 00:05:20,737 I produce films here in Italy. 101 00:05:20,737 --> 00:05:22,322 Oh, yeah. 102 00:05:22,322 --> 00:05:26,326 Oh! Are you the Vittorio Philippi? 103 00:05:26,326 --> 00:05:29,663 Oh! I've seen all of your pictures in America, and they're just wonderful. 104 00:05:29,663 --> 00:05:32,290 They're-They're-- they're so realistic and earthy. 105 00:05:32,290 --> 00:05:33,375 Thank you. Thank you. 106 00:05:33,375 --> 00:05:35,377 Well, we'd better introduce ourselves. 107 00:05:35,377 --> 00:05:36,586 My name is Ricky Ricardo. 108 00:05:36,586 --> 00:05:38,922 Ricky Ricardo, well! 109 00:05:38,922 --> 00:05:40,924 I read you were traveling in Europe. 110 00:05:40,924 --> 00:05:42,467 Oh, you did. 111 00:05:42,467 --> 00:05:43,552 How about that? 112 00:05:43,552 --> 00:05:45,512 That's nice. He read it in a paper. 113 00:05:45,512 --> 00:05:47,013 And this is my wife, Lucy. 114 00:05:47,013 --> 00:05:48,473 - How do you do? - How do you do, madame? 115 00:05:48,473 --> 00:05:49,599 And Mrs. Mertz. 116 00:05:49,599 --> 00:05:51,101 - How do you do? - How do you do, Mrs. Mertz. 117 00:05:51,101 --> 00:05:52,185 And Mr. Mertz. 118 00:05:52,185 --> 00:05:54,271 - Hi. How are you? - Glad to know you, sir. 119 00:05:54,271 --> 00:05:57,858 I shouldn't have been staring at Mrs. Ricardo. 120 00:05:57,858 --> 00:06:01,903 Oh, that's all right. 121 00:06:01,903 --> 00:06:04,823 But you see, she happens to be just the type 122 00:06:04,823 --> 00:06:06,408 I need for a new picture. 123 00:06:07,659 --> 00:06:09,077 Who, me? 124 00:06:09,077 --> 00:06:10,412 Yes. 125 00:06:10,412 --> 00:06:12,205 Tell me, Mrs. Ricardo, 126 00:06:12,205 --> 00:06:14,791 have you ever considered acting? 127 00:06:14,791 --> 00:06:17,460 Has she ever considered acting? 128 00:06:19,254 --> 00:06:20,714 Well... uh ... 129 00:06:21,755 --> 00:06:24,259 The calla lilies are in bloom again. 130 00:06:24,259 --> 00:06:25,343 Really, they are. 131 00:06:25,343 --> 00:06:26,803 I mean... 132 00:06:26,803 --> 00:06:30,140 [Italian accent] Oh, those calla lil-- mamma mia!-- 133 00:06:30,140 --> 00:06:32,809 they got to be a-blooming. 134 00:06:32,809 --> 00:06:34,644 Very nice, very nice, indeed. 135 00:06:35,353 --> 00:06:37,647 Look, here, Mr. Ricardo, here's my card. 136 00:06:37,647 --> 00:06:41,610 If your charming wife would be interested in auditioning, 137 00:06:41,610 --> 00:06:43,945 call me, please... but do it soon. 138 00:06:43,945 --> 00:06:45,947 You see, we start production in a few days. 139 00:06:45,947 --> 00:06:47,449 Oh, yeah. 140 00:06:47,449 --> 00:06:49,492 It was very, very nice meeting all of you. 141 00:06:49,492 --> 00:06:50,827 - Thank you. - Arrivederci. 142 00:06:50,827 --> 00:06:51,827 - Arrivederci. - Arrivederci. 143 00:06:51,827 --> 00:06:53,622 - Goodbye. - Arrivederci. 144 00:06:53,622 --> 00:06:55,540 Poor man. 145 00:07:01,004 --> 00:07:02,630 What are you doing? 146 00:07:02,630 --> 00:07:05,759 I'm getting in the mood for my Italian picture debut. 147 00:07:07,802 --> 00:07:10,639 Arrivederci, mi amoré. 148 00:07:10,639 --> 00:07:12,724 Arrivederci. 149 00:07:49,469 --> 00:07:51,137 Oh, boy, Rome! 150 00:07:51,137 --> 00:07:52,681 Isn't it wonderful? 151 00:07:52,681 --> 00:07:54,641 - Have you seen it? - Seen what? 152 00:07:54,641 --> 00:07:56,351 The Colosseum! 153 00:07:56,351 --> 00:07:58,728 Oh, isn't it magnificent? 154 00:07:58,728 --> 00:08:00,897 Ah, it's nothing, Rick. 155 00:08:00,897 --> 00:08:02,148 Nothing! 156 00:08:02,148 --> 00:08:04,484 Smaller than the Yankee Stadium. 157 00:08:04,484 --> 00:08:07,696 Joe DiMaggio would have hit 80 home runs in that hat box. 158 00:08:09,698 --> 00:08:12,993 Oh, what can I expect when I expose him to culture? 159 00:08:13,994 --> 00:08:15,453 Come on, Lucy, take a look at it. 160 00:08:15,453 --> 00:08:18,957 I saw it. Listen, there's a big article about Vittorio Philippi in here 161 00:08:18,957 --> 00:08:22,085 and-and pictures of some of the actresses he's discovered. 162 00:08:22,085 --> 00:08:23,837 Aren't they earthy? 163 00:08:23,837 --> 00:08:25,755 Wow! 164 00:08:26,631 --> 00:08:29,175 Oh, I don't think those Italian actresses are so much. 165 00:08:29,175 --> 00:08:32,011 Not one of them has got her hair combed. 166 00:08:32,011 --> 00:08:34,597 Well, they look great to me. 167 00:08:34,597 --> 00:08:38,518 Hmm, if I let my hair go like that, you'd never let me hear the end of it. 168 00:08:38,518 --> 00:08:40,520 Honeybunch, if the rest of you looked like that, 169 00:08:40,520 --> 00:08:43,064 I wouldn't care if you were bald. 170 00:08:43,064 --> 00:08:44,732 Oh, fine. 171 00:08:47,694 --> 00:08:49,696 - Ricky? - Yeah, honey. 172 00:08:49,696 --> 00:08:51,948 Do you like earthy women? 173 00:08:51,948 --> 00:08:53,033 What's earthy? 174 00:08:53,033 --> 00:08:54,701 That. 175 00:08:54,701 --> 00:08:56,828 Well, we don't call that earthy in Cuba. 176 00:08:56,828 --> 00:08:58,038 Oh? What do you call it? 177 00:08:58,038 --> 00:08:59,456 We have five words for it-- 178 00:08:59,456 --> 00:09:01,708 "Ay-ay-ay-ay-ay." 179 00:09:04,711 --> 00:09:06,755 - - Come in. 180 00:09:07,630 --> 00:09:09,174 The hangers you called for, Signor Ricardo. 181 00:09:09,174 --> 00:09:10,258 Oh, yeah, yes. 182 00:09:10,258 --> 00:09:12,302 Oh, uh... Signor Bellboy. 183 00:09:12,302 --> 00:09:13,344 Sì, signora. 184 00:09:13,344 --> 00:09:16,681 Would you, uh, translate this story for me on Vittorio Philippi? 185 00:09:16,681 --> 00:09:19,267 I don't understand the Italian, you know. 186 00:09:19,267 --> 00:09:20,727 Sì, sì, con piacere. 187 00:09:20,727 --> 00:09:22,562 Uh, it says here, 188 00:09:22,562 --> 00:09:25,065 "Signor Vittorio Philippi has announced 189 00:09:25,065 --> 00:09:27,275 "the starting date of his newest picture 190 00:09:27,275 --> 00:09:29,194 "which will be called, uh..." 191 00:09:31,362 --> 00:09:34,491 Ay-ay-ay-ay-ay! 192 00:09:36,618 --> 00:09:37,910 How about that? 193 00:09:37,910 --> 00:09:40,288 It's the same thing in Italy. 194 00:09:41,748 --> 00:09:42,791 Scusi, signora. 195 00:09:42,791 --> 00:09:46,002 The name of the picture will be Grappolo Pungente. 196 00:09:46,002 --> 00:09:48,088 Grappolo... what does that mean? 197 00:09:48,088 --> 00:09:49,756 It means "bitter grapes." 198 00:09:49,756 --> 00:09:51,049 - "Bitter grapes"? - Si. 199 00:09:51,049 --> 00:09:52,383 Oh, what else does it say? 200 00:09:52,383 --> 00:09:54,719 "The picture will be filmed in color 201 00:09:54,719 --> 00:09:57,722 "and will be shot in and around Rome." 202 00:09:57,722 --> 00:09:58,723 Uh-huh. Go on. 203 00:09:58,723 --> 00:10:00,266 That's all there is. È finito. 204 00:10:00,266 --> 00:10:02,309 Oh. Well, thank you very much. 205 00:10:02,309 --> 00:10:07,649 Belle bambine tutte queste, ma come sono belle! Bellissima. 206 00:10:07,649 --> 00:10:09,651 Would you like to take the magazine with you? 207 00:10:09,651 --> 00:10:10,819 Oh, grazie. 208 00:10:10,819 --> 00:10:11,986 You're welcome. 209 00:10:11,986 --> 00:10:14,364 - Ay-ay-ay-ay-ay. - [Ricky laughing] 210 00:10:14,364 --> 00:10:16,324 Oh... 211 00:10:18,993 --> 00:10:20,828 Gee, did you hear that, honey? 212 00:10:20,828 --> 00:10:22,497 It's going to be called Bitter Grapes. 213 00:10:22,497 --> 00:10:24,457 I wonder what part they want me for. 214 00:10:24,457 --> 00:10:26,793 Oh, you're probably going to be one of the bunch. 215 00:10:26,793 --> 00:10:28,962 Fred, that's funny. 216 00:10:28,962 --> 00:10:30,255 Very funny. 217 00:10:30,255 --> 00:10:32,966 Gee, I got to find out about the grape vineyards-- 218 00:10:32,966 --> 00:10:34,259 How the workers act, 219 00:10:34,259 --> 00:10:35,468 what they do there. 220 00:10:35,468 --> 00:10:37,386 - Lucy. - There must be some grape vineyards 221 00:10:37,386 --> 00:10:38,847 - near here someplace. - Lucy. 222 00:10:38,847 --> 00:10:41,141 I bet I can learn all about them in a couple of hours. 223 00:10:41,141 --> 00:10:42,475 Oh, no, you don't. 224 00:10:42,475 --> 00:10:43,768 Why not? 225 00:10:43,768 --> 00:10:46,771 Look, honey, Italy has enough problems already. 226 00:10:46,771 --> 00:10:48,314 I don't want to have to worry 227 00:10:48,314 --> 00:10:50,692 about you lousing up the entire grape industry. 228 00:10:50,692 --> 00:10:52,026 Oh... 229 00:10:52,026 --> 00:10:54,320 All I want to do is soak up a little local color 230 00:10:54,320 --> 00:10:55,822 so I'll know what I'm acting about. 231 00:10:55,822 --> 00:10:57,240 What could possibly happen to me? 232 00:10:57,240 --> 00:10:59,576 Well, I could answer that. We're only gonna be here ten days. 233 00:10:59,576 --> 00:11:00,910 - Oh... - Come on, Fred. 234 00:11:00,910 --> 00:11:02,495 - Let's check the theater. - [Fred] Okay. 235 00:11:02,495 --> 00:11:03,830 [Ethel] So long, Fred. 236 00:11:03,830 --> 00:11:06,249 No funny business-- promise? 237 00:11:06,249 --> 00:11:07,958 All right, all right. 238 00:11:07,958 --> 00:11:10,003 All right. See you later. 239 00:11:13,381 --> 00:11:15,967 - Come on, Ethel, let's go. - Go where? 240 00:11:15,967 --> 00:11:18,011 To the grape vineyards! Where else? 241 00:11:18,011 --> 00:11:19,761 You promised Ricky you wouldn't. 242 00:11:19,761 --> 00:11:22,140 I did not. I promised him no funny business. 243 00:11:22,140 --> 00:11:24,642 Soaking up local color for acting purposes 244 00:11:24,642 --> 00:11:26,936 happens to be a very serious business. 245 00:11:26,936 --> 00:11:28,813 - Oh, brother. - Besides, the only reason 246 00:11:28,813 --> 00:11:31,274 he doesn't want me to go is he doesn't want me to be in that picture. 247 00:11:31,274 --> 00:11:33,735 Now, don't start that he-doesn't-want-me- in-show-business stuff. 248 00:11:33,735 --> 00:11:34,903 Well, he doesn't. 249 00:11:35,528 --> 00:11:37,780 How could I find out where the vineyards are? 250 00:11:37,780 --> 00:11:39,824 Just look in the yellow pages of the phone book. 251 00:11:43,369 --> 00:11:44,871 Operator, would you ask 252 00:11:44,871 --> 00:11:47,874 the bellboy to come up to 605, please? Thank you. 253 00:11:47,874 --> 00:11:49,083 I'll ask him where they are. 254 00:11:49,083 --> 00:11:50,376 So, you find a vineyard. 255 00:11:50,376 --> 00:11:52,795 What are you gonna do about the fact that you don't speak Italian? 256 00:11:52,795 --> 00:11:54,422 I know a few words. 257 00:11:54,422 --> 00:11:57,008 When I don't know, I'll shrug. 258 00:11:57,884 --> 00:11:59,886 How can you shrug a conversation? 259 00:11:59,886 --> 00:12:03,306 Ethel, you have been in Italy for a week. Haven't you learned anything? 260 00:12:03,306 --> 00:12:04,724 What does this mean? 261 00:12:06,559 --> 00:12:07,644 It's wonderful? 262 00:12:07,644 --> 00:12:08,937 Right. 263 00:12:08,937 --> 00:12:09,979 How about this? 264 00:12:11,564 --> 00:12:13,024 Who knows? 265 00:12:13,024 --> 00:12:14,776 Very good. 266 00:12:15,485 --> 00:12:16,611 Uh... 267 00:12:20,280 --> 00:12:22,909 Don't cut the spaghetti, wind it around the fork! 268 00:12:24,077 --> 00:12:25,828 No. 269 00:12:25,828 --> 00:12:27,080 What's this? 270 00:12:28,539 --> 00:12:30,541 Ooh, I give up. What is it? 271 00:12:30,541 --> 00:12:32,460 Get me a large pizza. 272 00:12:34,837 --> 00:12:37,173 - - Come in. 273 00:12:37,173 --> 00:12:38,591 Si, signora, you sent for me? 274 00:12:38,591 --> 00:12:40,927 Yes. I'd like a little information, please. 275 00:12:40,927 --> 00:12:43,054 I'd like to know a little bit about the wine industry, 276 00:12:43,054 --> 00:12:44,889 how they make the wine, how they pick the grapes, 277 00:12:44,889 --> 00:12:46,724 and how they press the juice out with their feet. 278 00:12:46,724 --> 00:12:49,143 Are there any grape vineyards around here? 279 00:12:49,143 --> 00:12:52,188 Well, uh, there's only one little town called Turo, 280 00:12:52,188 --> 00:12:53,940 where they still make wine like that, you know. 281 00:12:53,940 --> 00:12:55,607 All other wineries are modern. 282 00:12:55,607 --> 00:12:56,734 They use big machinery. 283 00:12:56,734 --> 00:12:58,778 Oh, oh. Well, where is this Turo? 284 00:12:58,778 --> 00:13:00,780 Oh, it's right on the outskirts of the city. 285 00:13:00,780 --> 00:13:02,115 Oh, well, thank you very much. 286 00:13:02,115 --> 00:13:03,449 - Prego. - Turo, Turo. 287 00:13:03,449 --> 00:13:05,034 You want to come along? 288 00:13:05,034 --> 00:13:06,369 No, thanks. 289 00:13:07,203 --> 00:13:09,998 What am I gonna tell Ricky when he asks where you are? 290 00:13:09,998 --> 00:13:11,958 Tell him anything you want. I have nothing to hide. 291 00:13:11,958 --> 00:13:14,335 - Tell him the truth. - Okay, I'll tell him the truth. 292 00:13:14,335 --> 00:13:16,296 Don't you dare! 293 00:13:16,296 --> 00:13:17,630 Okay. No, I won't. 294 00:13:17,630 --> 00:13:18,631 All right. 295 00:13:34,147 --> 00:13:37,066 Let's go, let's go! 296 00:13:43,072 --> 00:13:45,074 Good morning, good morning. 297 00:14:01,466 --> 00:14:03,301 No, it's too hot. 298 00:14:03,301 --> 00:14:05,053 - So, tonight. - Maybe, yes. 299 00:14:05,053 --> 00:14:06,136 Listen, listen. 300 00:15:31,681 --> 00:15:33,599 Silence, silence! 301 00:15:33,599 --> 00:15:36,936 There's a lot of work this morning. 302 00:15:36,936 --> 00:15:38,104 Be quiet, quickly! 303 00:15:38,104 --> 00:15:39,605 In line. 304 00:15:42,984 --> 00:15:45,111 Rosa, Teresa. 305 00:16:01,377 --> 00:16:03,588 Wait, wait a minute. 306 00:16:11,429 --> 00:16:13,931 You can crush a lot of grapes. 307 00:16:13,931 --> 00:16:15,683 How beautiful you are! 308 00:16:15,683 --> 00:16:17,018 - - Thank you. 309 00:16:17,018 --> 00:16:19,020 Let's go, let's go, let's go. 310 00:16:19,020 --> 00:16:21,939 Let's go straight away. 311 00:16:21,939 --> 00:16:23,566 And what do you want from me? 312 00:16:23,566 --> 00:16:25,026 What do you want, what did you see? 313 00:16:25,026 --> 00:16:26,611 Go to work right away. 314 00:16:26,611 --> 00:16:28,362 Go to work, walk. 315 00:16:30,281 --> 00:16:31,991 Oh, you, come here. 316 00:17:01,395 --> 00:17:03,147 Well, come inside! 317 00:18:24,645 --> 00:18:25,896 Lucy? 318 00:18:27,565 --> 00:18:28,482 Lucy? 319 00:18:30,276 --> 00:18:32,278 Oh, hi, Rick. Is Lucy back yet? 320 00:18:32,278 --> 00:18:33,946 - No, she's not here. - Well, goodbye, Rick. 321 00:18:34,989 --> 00:18:36,240 Ethel! 322 00:18:36,240 --> 00:18:37,407 Come back here. 323 00:18:38,451 --> 00:18:39,577 Where is Lucy? 324 00:18:40,828 --> 00:18:42,955 Lucy? 325 00:18:42,955 --> 00:18:46,042 Yeah. Vittorio Philippi called and he's coming over. 326 00:18:46,042 --> 00:18:48,711 - Where is she? - Where is she? 327 00:18:49,587 --> 00:18:52,214 Ethel, where did Lucy go? 328 00:18:52,214 --> 00:18:55,092 Where did Lucy go? 329 00:18:55,092 --> 00:18:57,470 Will you stop repeating everything I say? 330 00:18:57,470 --> 00:18:58,846 Where did she go? 331 00:19:00,138 --> 00:19:02,516 Well ... 332 00:19:03,351 --> 00:19:06,186 - Ethel, did she go shopping? - I promised not to tell. 333 00:19:07,480 --> 00:19:11,108 Did she go around sucking up local color? 334 00:19:11,108 --> 00:19:13,694 "Sucking up lacal color?" 335 00:19:13,694 --> 00:19:15,029 No, I don't think so. 336 00:19:15,029 --> 00:19:16,696 - Ethel! - Yes. 337 00:19:16,696 --> 00:19:18,074 Mira que tiene cosa 338 00:19:18,074 --> 00:19:19,825 que se lo dice, lo repeti 339 00:19:19,825 --> 00:19:21,994 que no se metiera más revolve aquí en italia. 340 00:19:21,994 --> 00:19:23,996 Ricky, she only did it because 341 00:19:23,996 --> 00:19:25,665 you were trying to keep her out of that movie. 342 00:19:25,665 --> 00:19:27,416 What do you mean keep her out of that movie? 343 00:19:27,416 --> 00:19:30,169 I just don't want her to go around and get herself into trouble again. 344 00:19:30,169 --> 00:19:31,629 Really? 345 00:19:31,629 --> 00:19:33,839 Why would I ask Vittorio Philippi to come over here 346 00:19:33,839 --> 00:19:35,383 if I didn't want her in the movie? 347 00:19:35,383 --> 00:19:36,967 Why, that's right. 348 00:19:36,967 --> 00:19:38,219 Sure! 349 00:19:38,219 --> 00:19:39,845 Now, don't you worry about it, Ricky. 350 00:19:39,845 --> 00:19:41,931 She just probably picked a few grapes 351 00:19:41,931 --> 00:19:43,891 and she's on her way home right now. 352 00:19:43,891 --> 00:19:46,185 - Yeah, well, I hope you're right. - Yeah, I'm sure of it. 353 00:20:04,787 --> 00:20:06,163 No, I'm a-pooped. 354 00:20:06,163 --> 00:20:08,207 Abbasta! Dai, lavora! 355 00:20:08,207 --> 00:20:09,834 Poverina, e che credi? 356 00:20:09,834 --> 00:20:12,294 Ti piglia la paga senza far nulla? 357 00:20:12,294 --> 00:20:14,296 - Nah! - Oh! 358 00:21:09,018 --> 00:21:11,979 Allora ci vogliamo divertire de vero, eh? 359 00:21:11,979 --> 00:21:15,483 E va bene, adesso. 360 00:22:02,655 --> 00:22:05,657 I'm sorry, Signor Ricardo, I-I cannot wait any longer, really. 361 00:22:05,657 --> 00:22:08,869 Oh, gee, that's too bad. She's gonna be awful sorry that she missed you. 362 00:22:08,869 --> 00:22:11,288 Oh, she's so anxious to be in your picture. 363 00:22:11,288 --> 00:22:13,999 I'm sorry, but you see, I have to go back at the studio. I'm late. 364 00:22:13,999 --> 00:22:15,835 [Ethel] Well, just a few minutes longer. 365 00:22:15,835 --> 00:22:17,378 Just... I'm sure she'll ... 366 00:22:20,756 --> 00:22:22,675 No! 367 00:22:23,926 --> 00:22:25,135 Oh! 368 00:22:25,135 --> 00:22:26,679 Oh, Signor Philippi. 369 00:22:26,679 --> 00:22:28,180 How do you do? 370 00:22:28,180 --> 00:22:29,932 Oh, you'll have to excuse the way I look, 371 00:22:29,932 --> 00:22:31,809 but I've been working in the grape vineyards 372 00:22:31,809 --> 00:22:34,520 so I could get the proper atmosphere for working in your picture. 373 00:22:34,520 --> 00:22:36,063 [Fred] Boy, when it comes 374 00:22:36,063 --> 00:22:38,858 to soaking up local color, you don't mess around. 375 00:22:38,858 --> 00:22:41,277 Lucy, why don't you go and wash that blue stuff off? 376 00:22:41,277 --> 00:22:42,444 I tried to. 377 00:22:42,444 --> 00:22:43,779 It won't come off. 378 00:22:43,779 --> 00:22:48,032 But, Mrs. Ricardo, I'm afraid you misunderstood. 379 00:22:48,032 --> 00:22:52,037 You see, Bitter Grapes is just a... a symbolic title. 380 00:22:52,037 --> 00:22:55,291 The picture has nothing to do with the grape industry. 381 00:22:58,794 --> 00:23:00,713 And besides, you see, I had you in mind 382 00:23:00,713 --> 00:23:01,881 for a small part 383 00:23:01,881 --> 00:23:04,174 as a... a typical American tourist 384 00:23:04,174 --> 00:23:05,342 visiting in Italy. 385 00:23:05,342 --> 00:23:06,552 Oh, well, fine. 386 00:23:06,552 --> 00:23:08,053 Oh, it isn't fine at all. 387 00:23:08,053 --> 00:23:09,555 You see, we're shooting the scene 388 00:23:09,555 --> 00:23:12,349 tomorrow morning in color, and I couldn't take a chance 389 00:23:12,349 --> 00:23:14,476 that you would be back to normal by then. 390 00:23:14,476 --> 00:23:15,561 Well... well... well, 391 00:23:15,561 --> 00:23:19,398 couldn't I be a typical American tourist who... who was homesick for America 392 00:23:19,398 --> 00:23:20,566 and that's why I'm blue? 393 00:23:20,566 --> 00:23:22,067 Oh, no. 394 00:23:22,067 --> 00:23:23,861 No, no, I'm sorry. 395 00:23:23,861 --> 00:23:26,405 Well, could I be a-a typical American tourist 396 00:23:26,405 --> 00:23:27,990 - who fell in a wine vat? - No. 397 00:23:27,990 --> 00:23:30,284 Oh, please, I'll do anything. I'll dye my hair. I'll do anything. 398 00:23:30,284 --> 00:23:31,952 Mrs. Ricardo, please. 399 00:23:31,952 --> 00:23:35,247 You know, the part isn't big enough to go to all that trouble, really. 400 00:23:35,247 --> 00:23:37,583 Well, it's very nice of you to come over, Mr. Philippi. 401 00:23:37,583 --> 00:23:39,585 - It was very nice meeting you. - Thank you. 402 00:23:39,585 --> 00:23:41,295 I'm awfully sorry, Mrs. Ricardo. 403 00:23:41,295 --> 00:23:44,340 I'll shave my head. I'll wear a mask. 404 00:23:44,340 --> 00:23:45,799 No. 405 00:23:45,799 --> 00:23:47,885 - Goodbye, Mr. Mertz. - Goodbye. 406 00:23:47,885 --> 00:23:49,053 Goodbye, Mrs. Mertz. 407 00:23:49,053 --> 00:23:50,304 - Goodbye. - It was... 408 00:23:50,304 --> 00:23:51,430 Just a minute. 409 00:23:52,513 --> 00:23:55,434 Mrs. Mertz, would you be interested in playing that part? 410 00:23:56,936 --> 00:23:58,686 - Would I! - Good. 411 00:23:58,686 --> 00:24:01,190 Oh... 412 00:24:01,190 --> 00:24:03,067 Then report tomorrow morning 413 00:24:03,067 --> 00:24:04,484 at my studio at 8:00. 414 00:24:04,484 --> 00:24:07,488 You are a typical American tourist 415 00:24:07,488 --> 00:24:08,656 if I ever saw one. 416 00:24:08,656 --> 00:24:10,074 Oh, thank you! Oh, thank you! 417 00:24:10,074 --> 00:24:11,450 - Goodbye. - Yes, I ... 418 00:24:11,450 --> 00:24:13,661 Oh, I'll be right there at 8:00. 419 00:24:13,661 --> 00:24:18,082 Oh, imagine me in an Italian movie. 420 00:24:18,082 --> 00:24:19,875 This is only the beginning. 421 00:24:19,875 --> 00:24:22,211 I may end up being a star. 422 00:24:23,796 --> 00:24:26,632 Goodbye, mi amoré. 423 00:24:28,258 --> 00:24:31,887 Mi amoré, goodbye.